Release:
2025. Vol. 11. № 4 (44)About the authors:
Natalia N. Belozerova, Dr. Sci. (Philol.), Professor, Professor of the Department of Applied and Theoretical Linguistics, Institute of Social Sciences and Humanities, University of Tyumen, Tyumen, Russia; n.n.belozerova@utmn.ru https://orcid.org/0000-0003-0892-7380Abstract:
The article compares the reasoning texts (soliloquies) by William Shakespeare, Alexander Pushkin, and James Joyce with the thought chains of reasoning language models. The article is based on the classification of classical mimesis, the key idea of which is to imitate something existing. All texts are analyzed in terms of the semiotic modalities of “to be — to seem”. While analyzing the four texts, along with the method of contextual analysis there were used methods of prompt engineering, involving such tools of artificial intelligence language models as rule-based reasoning, knowledge graphs, and chain-of-thought. The analysis results in a number of conclusions: the modality of “to be” dominates in all the analyzed texts; the modality of “to seem” is realized by means of perfect sentence syntax; reasoning language models are quite capable of identifying cause-and-effect relationships, but the associative links of complex stream-of-consciousness reasoning do not lend themselves to adequate analysis. Thus, the authors come to the final conclusion that the prevalence of functional mimesis is achieved through verbal similarity.References:
Losev, A. F. (1974). The History of Ancient Aesthetics. High Classics. The History of Ancient Aesthetics. Vol. 3. Iskusstvo. [In Russian]
Pushkin, A. S. (1957). Mozart and Salieri (play and notes to it). In A. S. Pushkin, Mozart and Salieri. Complete Set of Works, Vol. V. P. 355. Retrieved December 9, 2025, from https://share.google/xXjGCKl0FCcWAYBSn [In Russian]
Erslev, M. S. (2022). A Mimetic Method: Rendering artificial intelligence imaginaries through enactment. A Peer-Reviewed Journal About, (11.1), 34–49.
Greimas, A. J. (1976). Pour une théorie des modalités. Langages, (43), 90–107. Retrieved December 9, 2025 from https://www.persee.fr/doc/lgge_0458-726x_1976_num_10_43_2322
Joyce, J. Ulysses. In Project Gutenberg. Retrieved December 9, 2025 from https://www.gutenberg.org/cache/epub/4300/pg4300-images.html#chap02
LaGrandeur, K. (2024). AI and Reverse Mimesis: From human imitation to human subjugation? In Mimetic Posthumanism: Homo Mimeticus 2.0 in Art, Philosophy and Technics, (5), 321–338.
Lawtoo, N. (2022). Posthuman Mimesis I: Concepts for the Mimetic Turn. Journal of Posthumanism, 2(2), 101–114. https://doi.org/10.33182/joph.v2i2.2063
Lawtoo, N. (2025). Mimetic Posthumanism: An introduction. In Mimetic Posthumanism Homo Mimeticus 2.0 in Art, Philosophy and Technics. Рр. 1–36. Brill.
Van Dijk, T. A. (2015). Critical discourse analysis. In The Handbook of Discourse Analysis. Pp. 466–485.
Van Dijk, T. A. (2019). Macrostructures: An Interdisciplinary Study of Global Structures in Discourse, Interaction, and Cognition. Routledge.
Vicars, M., & Arantes, J. A. (2025). AI Against ‘I’ Hiraeth Poiesis or Mimesis: A Critical Re/Account/Ability. In Understanding Generative AI in a Cultural Context: Artificial Myths and Human Realities. Pp. 425–446. IGI Global Scientific Publishing.
William Shakespeare: The Tragedy of Richard the Third, 11072 (Shakespeare-Riverside, P. 712–713).
William Shakespeare: The Tragedy of Hamlet, Prince of Denmark, 98. 12967 (Shakespeare-Riverside, 1159)
Woodruff, P. Aristotle on mimesis. In Essays on Aristotle’s Poetics. Retrieved December 9, 2025 from https://juanfermejia.com