Release:
2021, Vol. 7. № 3 (27)About the author:
Alexey V. Barykin, Cand. Sci. (Philol.), Associate Professor, Department of Russian Language, Tyumen Higher Military Engineering Command School; barykin.aleksej@list.ru; ORCID: 0000-0002-9799-8748Abstract:
The goal of this article is to present the methodological foundations of the phenomenological poetics of a literary work. The subject of the research is the principles of the phenomenological approach to poetological foundations, the object is the structural-semantic, textual-semiotic features of the lyric work.
The author summarizes the experience of different concepts of the phenomenological approach to revealing the essence of the receptive strategy of both artistic consciousness and research practice. The main attention is paid to the structure of artistic consciousness, the peculiarities of its intentional nature, reveals the specificity of various types of reduction, allowing to penetrate into the essence of artistic experience, its aesthetic reception.
The article puts forward the concept of a phenomenological interpretation of the structure of a poetic text at the syntagmatic and paradigmatic levels, a metaphysical understanding of the traditionally semiotic concepts of syntagmatics and paradigmatics, which formally set the landmarks of text boundaries in their horizontal and vertical deployment. Based on the ontological and phenomenological aspects of the consideration of artistic space, the text appears as a phenomenon that goes beyond the limits of its own sign definition, becoming an essential-valuable “determinant” and regulator of artistic and research intentions, implying different ways and levels of subjective expression in poetic discourse. In addition to the basic, phenomenological approach, the research methodology consists of the principles of “ontological poetics”, “receptive aesthetics”.
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